Andreas Bauer Kanabas
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The gleaming power and dark, burnished timbre of Andreas Bauer Kanabas’ commanding bass voice, along with his extraordinary dramatic expressiveness, thrill audiences and critics alike, on opera and concert stages around the world.

An exceptionally versatile artist, Andreas Bauer Kanabas sings important roles in the serious bass repertoire in eight different languages. Verdi and Wagner roles take up a large part of his repertoire, as do Russian roles. The wide range and legato culture of his voluminous voice make him a basso cantante with great versatility.

His repertoire includes Filippo II. (in Italian and French), Zaccaria, Fiesco, De Silva, Banco and Padre Guardiano, as well as Gurnemanz, King Marke, King Henry, Landgrave Hermann, Pogner and Daland.

He has also sung the title role in Bluebeard’s Castle, Vodnik/Rusalka, Gremin/Eugen Onegin, Ibn Hakia and King René/Iolanta, Boris/Lady Macbeth of Mtsensk, Pimen/BorisGodunov, Claggart/Billy Budd, Mephisto in Gounod’s Faust, Escamillo/Carmen, as well as Sarastro, Osmin, Komtur and Baron Ochs/Rosenkavalier with great success.

Andreas Bauer Kanabas sings on international stages such as the Vienna State Opera, Royal Opera in Covent Garden London, Opéra Bastille de Paris, Bolshoi in Moscow, Teatro Real Madrid, Seattle Opera, New National Theatre in Tokyo, Teatro Municipal Santiago de Chile, Opéra de Lyon, at the Opéra du Capitole Toulouse, the National Opera Riga, the Semperoper Dresden, Stateopera Hamburg and at all three major opera houses in Berlin.

He has been a member of the Frankfurt Opera ensemble since 2013.

In the 2024/25 season, he sang Daland at the Concertgebouw Amsterdam and will make his debut at the Deutsche Oper am Rhein in a new production as Boris in Lady Macbeth of Mtsensk and at his home opera house in Frankfurt as Gurnemanz. He will sing King Henry at the end of the season in Kaohsiung / Taiwan.

In the 22/23 season he made his debut as Pogner in Wagner’s Meistersinger at the Frankfurt Opera and also sang this role at the Spring Festival in Tokyo and under Christian Thieleman at the Semperoper Dresden. As De Silva in Verdi’s Ernani, he guested in Antwerp and Ghent. He made his very successful debut as Baron Ochs / Rosenkavalier at the Irish National Opera in Dublin

During the Covid19 shutdown in 2020, Andreas Bauer Kanabas had the privilege of singing the role of Vodnik in Dvorak’s Rusalka at the Teatro Real Madrid. He also had great success as Rocco/Fidelio at the Hamburg State Opera and alongside Jonas Kaufmann in concert performances in summer 2022.

In September 2021, his highly acclaimed solo CD Love and Despair (OhemsClassics) was released with Romantic bass arias, conducted by Karsten Januschke. In February 2023 his first, highly praised song CD was released – Franz Schubert’s Schwanengesang with Daniel Heide as pianist.

Andreas Bauer Kanabas sang many important debuts in 2019, including PhilippeII/Don Carlo (in French) in Antwerp and Ghent, Padre Guardiano/La forza del destino in Frankfurt, Escmillio/Carmen at The Bolshoi in Moscow and Alfonso d’Este/Lucrezia Borgia in Toulouse. During the worldwide Covid19 shutdown in 2020, he had the great fortune to perform at the Teatro Real Madrid as Vodnik/Rusalka.

Sarastro, a role he has sung to great acclaim in Paris, Frankfurt, Berlin, Dresden, Budapest, Adelaide, Perth, Auckland and Abu Dhabi, was the vehicle of his debut at the Royal Opera House Covent Garden. He made a great Festival d’Opéra de Québec debut as Daland in Der fliegende Holländer, a role he has also taken to the Deutsche Oper Berlin, Frankfurt Opera, and the Auditorio Music Madrid, where he performed alongside Sir Bryn Terfel.

He returned successfully to the Deutsche Oper Berlin in 2019 as King Heinrich in Lohengrin, the role of his debuts at both the Vienna Staatsoper and the New National Theatre in Tokyo.

Andreas debuted as Méphistophélès in Faust at the Latvian National Opera in Riga in 2016. He was immediately reengaged for the 2018 season, as Zaccaria/Nabucco and as De Silva/Ernani, a role he will repeat in concert at Moscow’s Tchaikowsky Concert Hall in 2019 under the baton of Daniel Oren again.

2016 also saw important debuts at Teatro alla Scala, in Mozart’s Requiem, and at Munich’s Gasteig, in the Verdi Requiem. His performance as the Hermit/Der Freischütz  from the Semperoper Dresden, under the direction of Christian Thielemann, is available on DVD from Unitel Classica.

In addition to the Requiems of Verdi, Mozart and Brahms, Andreas’s concert credits include Schumann’s Manfred with the Berlin Philharmonic under the baton of Claudio Abbado, Schumann’s Scenes from Faust in the Tonhalle Düsseldorf, and Haydn’s Die Schöpfung for Switzerland’s Verbier Festival. 

His ELIAS with the WDR Symphony Orchestra was broadcast live from the Cologne Philharmonic in 2016, and the concert version of Bártok’s Duke Bluebeard’s Castle in 2019.
Andreas can be heard in Beethoven’s Ninth Symphony in major concert halls, with live broadcasts from the Tokyo Suntory Hall, the Osaka Festival Hall, the Leipzig Gewandhaus and the Cologne Philharmonic, among others. Under the direction of Marek Janowski he sings the solo bass in a complete Pentatone recording of all Beethoven symphonies.

Andreas has had the honor of collaborating with many of the world’s greatest conductors, including Claudio Abbado, Sir Colin Davis, Sir Simon Rattle, Daniel Barenboim, Daniel Oren, Ivan Fischer, Ádám Fischer, Andris Nelsons, Philppe Jordan, Pier Giorgio Morandi, Ingo Metzmacher, Gustavo Dudamel, Sebastian Weigle, and Christian Thielemann.

Andreas Bauer Kanabas studied voice with Prof. Eugen Rabine in Weimar and later with Paolo Barbacini in Italy, Robert Lloyd in London and Robert Gonnella in Toulouse.

As a song interpreter, Andreas Bauer Kanabas works closely with the pianist Daniel Heide. His special thanks also go to Peter Frank in Weimar, who has accompanied him competently as a vocal coach, mentor and friend for over 20 years.